<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" >

<channel><title><![CDATA[Reeve Segal Writer - Blog]]></title><link><![CDATA[http://www.reevesegal.com/blog]]></link><description><![CDATA[Blog]]></description><pubDate>Thu, 24 Nov 2022 17:17:12 -0800</pubDate><generator>Weebly</generator><item><title><![CDATA[Screenplay and TV Writing Essentials]]></title><link><![CDATA[http://www.reevesegal.com/blog/screenplay-and-tv-writing-essentials]]></link><comments><![CDATA[http://www.reevesegal.com/blog/screenplay-and-tv-writing-essentials#comments]]></comments><pubDate>Fri, 29 Jun 2018 18:17:54 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.reevesegal.com/blog/screenplay-and-tv-writing-essentials</guid><description><![CDATA[Screenplay and Television Writing Fundamentals&nbsp; &nbsp; &nbsp;Screenplay writing is like no other art form. It combines elements of creativity, along with strict(ish) structural rules. You can't simply pull up Microsoft Word and start writing a screenplay on an inspirational whim - the way you (sometimes) can with other creative writing forms.&nbsp; Before you give up on your dream of writing a screenplay or TV pilot - fear not - as I am here to provide you with the essential tools that will [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><u><strong>Screenplay and Television Writing Fundamentals</strong></u><br />&nbsp; &nbsp; &nbsp;Screenplay writing is like no other art form. It combines elements of creativity, along with strict(ish) structural rules. You can't simply pull up Microsoft Word and start writing a screenplay on an inspirational whim - the way you (sometimes) can with other creative writing forms.&nbsp; Before you give up on your dream of writing a screenplay or TV pilot - fear not - as I am here to provide you with the essential tools that will help you get on the right path to writing your script.&nbsp;<br /><u><strong><em>In Order to Write a Script, You Must Read Scripts</em></strong></u><br />&nbsp; &nbsp; &nbsp;So you want to write a screenplay or TV pilot?&nbsp; The next logical question is: have you ever read a feature length script or episode of a television series?&nbsp; In order to write scripts, you must have read scripts.&nbsp; If you are interested in&nbsp;<strong>writing for television</strong>, I highly recommend that you check out this&nbsp;<strong><a href="https://sites.google.com/site/tvwriting/" target="_blank">amazing free site</a></strong>&nbsp;that's full of dozens of TV pilot and regular episode scripts.&nbsp;&nbsp;You should read a few of the scripts on the site to get a feel for the layout, structure and format for TV writing. You'll notice that most TV (single camera) comedy scripts are approximately 30 - 35 pages (a script page is equal to about one minute of screen time); while drama television scripts are usually between 50 - 60 pages. In a future blog post, I will get into further details regarding the specific formatting and structural nuances for TV comedy writing (e.g., single-cam versus multi-cam) and drama writing (e.g. - dramedy versus pure drama).&nbsp; If you're interested in&nbsp;<strong>writing</strong>&nbsp;<strong>a movie</strong>&nbsp;- you should definitely bookmark the site&nbsp;<em><strong><a href="http://www.la-screenwriter.com/script-index/" target="_blank">LA Screenwriter</a></strong>;&nbsp;</em>besides their amazing content - they also have a free database full of feature length movie scripts (and television pilots).<br />&nbsp; &nbsp; &nbsp;Once you've read a few TV pilots and/or feature length scripts and have a general understanding of what a script looks like, then it's time to dive deeper into the process and learn the art of screenplay and television writing from the masters.&nbsp;<br /><u><strong><em>The Best Screenplay and TV Writing Books</em></strong></u><br />&nbsp; &nbsp; &nbsp;When it comes to movie writing - the modern classic,&nbsp;<em>must-have</em>&nbsp;book is: "<strong><em><a href="https://www.amazon.com/Save-Last-Book-Screenwriting-Youll/dp/1932907009" target="_blank">Save the Cat</a></em>"</strong> by the late-great Blake Snyder.&nbsp;&nbsp;"<em>Save the Cat</em>" contains all the essential screenplay writing rules; and Blake's Snyder's Beat Sheet provides you with a template to ensure that your story structure is solid.&nbsp; If you're looking for an even deeper dive into screenplay writing structure and analysis, written in a more scholarly tone, then I recommend: "<strong><em><a href="https://www.amazon.com/Story-Structure-Substance-Principles-Screenwriting-ebook/dp/B0042FZVOY" target="_blank">Story</a></em></strong>" by legendary screenplay writing instructor Robert McKee.&nbsp;<br />&nbsp; &nbsp; &nbsp;&nbsp;&nbsp;If you want&nbsp; to write a <strong>TV drama pilot</strong> - then you must read Daniel Calvisi's "<em><strong><a href="https://www.amazon.com/STORY-MAPS-Structure-One-Hour-Television/dp/0983626685/ref=sr_1_2?s=books&amp;ie=UTF8&amp;qid=1530317264&amp;sr=1-2&amp;keywords=tv+drama+writing" target="_blank">Story Maps - TV Drama</a></strong>."&nbsp; &nbsp;</em>It's essentially the "<em>Save the Cat"&nbsp;</em>for TV Drama pilot writing. Daniel's Story Maps expertly breaks down how each beat of the episode should be structured and provides you with amazing guide-posts for writing your TV pilot.&nbsp; I took Daniel's Master Class and must say that the lessons from his class and book are invaluable.&nbsp;<br />&nbsp; &nbsp; &nbsp;When it comes to <strong>TV comedy writing</strong>, there are a few key books that you should add to your bookshelf.&nbsp; "<strong><em><a href="http://www.amazon.com/little-book-SITCOM-John-Vorhaus-ebook/dp/B006IHZ9KU." target="_blank">The Little Book of SITCOM</a></em></strong>" by John Vorhaus is a short and fun read; it contains all the elements you need for TV comedy writing and provides great examples for how to be funny on the page.&nbsp;"<strong><em><a href="https://www.amazon.com/Automatic-Pilot-Bill-Taub-ebook/dp/B00IGK7ZRM/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1530318432&amp;sr=1-1&amp;keywords=automatic+pilot" target="_blank">Automatic Pilot</a></em></strong>" by Bill Taub and "<strong><a href="https://www.amazon.com/Writing-Television-Sitcoms-revised-Smith-ebook/dp/B002UEP8V0/ref=pd_cp_351_3?_encoding=UTF8&amp;pd_rd_i=B002UEP8V0&amp;pd_rd_r=feaf3447-7bfc-11e8-a77e-3f5d4c64982a&amp;pd_rd_w=TYjlW&amp;pd_rd_wg=Hb1jx&amp;pf_rd_i=desktop-dp-sims&amp;pf_rd_m=ATVPDKIKX0DER&amp;pf_rd_p=80460301815383741&amp;pf_rd_r=R4HJ9KFZGPMR96V4DF4W&amp;pf_rd_s=desktop-dp-sims&amp;pf_rd_t=40701&amp;psc=1&amp;refRID=R4HJ9KFZGPMR96V4DF4W" target="_blank">Writing Television Sitcoms</a></strong>" by Evan S. Smith also lay down the foundation for all your TV comedy writing needs.<br /><em><u><strong>The Best Screenplay and TV Writing Sources for Your Ears</strong></u></em><br />&nbsp; &nbsp; &nbsp;If you're more inclined to listen than read,&nbsp; there are several writing&nbsp;<strong>podcasts</strong> that you should check out.&nbsp; The <em><strong><a href="https://www.tv-calling.com/paperteam/" target="_blank">Paper Team</a></strong></em>&nbsp;podcast focuses on TV writing and what it takes to become a professional TV writer. Each episode contains insightful tidbits on TV writing and top-notch guests (usually professional writers) who help deconstruct TV writing and what it takes to make it in the TV writing business.&nbsp;&nbsp;<br />&nbsp; &nbsp; &nbsp;Another great podcast that focuses on screenplay writing (along with television writing) is the&nbsp;<strong><em><a href="https://www.onthepage.tv/on-the-page-podcast/" target="_blank">On the Page Podcast</a></em></strong> with Pilar Alessandra.&nbsp; The On the Page Podcast is a must-listen for all screenplay and TV writers. If you live in the Los Angeles area, I highly recommend taking Pilar's various writing classes and attending her seminars as they teach you many of the fundamental structural elements you need to be a screenplay writer. I've taken several of Pilar's classes and they've really helped in taking my writing to the next level.<br /><em><strong><u>Final Draft Script Writing Software</u></strong></em><br />&nbsp; &nbsp; &nbsp;Once you've got down the basics of screenplay and TV writing - you're ready to crank out that first draft.&nbsp; As I'll discuss in a future blogs - the first draft is no where near perfect; as screenplay writing all is about re-writing.&nbsp; But when you're ready to type FADE IN - you should be doing it using <em><strong><a href="https://www.finaldraft.com/" target="_blank">Final Draft</a> </strong></em>software.&nbsp; Final Draft is the industry standard when it comes to screenplay writing; all the professional script writers use it.&nbsp; It automatically formats your script for TV or movies. Don't buck the trend here - there's really only one viable choice when it comes to script writing software - and it's Final Draft.&nbsp;<br />&nbsp; &nbsp; &nbsp;<strong>This initial blog post is intended to give you a general flavor of some of the key resources available to you help you with writing your first screenplay.&nbsp; I am also here to provide&nbsp;any assistance you may need when it comes to movie and television writing or coverage of your script.&nbsp; Feel free to </strong><a href="http://www.reevesegal.com/contact.html"><strong><em>contact me</em></strong> </a><strong>(Reeve Segal) for your screenplay writing needs.&nbsp; If you have any future blog topics you'd like me to address and questions about this blog - leave a comment in the section below.&nbsp; Happy writing!&nbsp;</strong><br /><br /></div>]]></content:encoded></item></channel></rss>